Somewhere in my mind, I had convinced myself that Primate was going to be an emotional story about the bond between humans and animals — the kind of film that makes you smile for most of the runtime and then cry by the end.

I was expecting something in the spirit of Mighty Joe Young or even Hachi, where the emotional connection is the heart of the movie and the animal becomes an unforgettable symbol of love, loyalty, or loss.

That is not what happened here.

Not even close.

Instead, Primate took my expectations, laughed in my face, and then threw me into what felt like a monkey-fueled nightmare. And honestly? Once I recovered from the shock, I kind of loved it.

Primate begins in a way that may trick some viewers into thinking they are about to watch a more character-driven or emotionally grounded film. The setup introduces us to the world and its characters in a way that feels approachable, even slightly warm at first. But as the story moves forward, the atmosphere begins to shift. What starts with curiosity and a sense of unease soon turns into full horror, as the monkey at the center of the story becomes less of a companion and more of a threat.

The film gradually reveals its true nature through rising tension, violent confrontations, and a growing sense that something is deeply wrong. By the time the horror fully kicks in, Primate is no longer interested in being cute, comforting, or sentimental. It wants to scare you — and it absolutely does.

From the very first minute, I already felt that something was off.

The tone didn’t feel soft, playful, or heartwarming the way I had imagined. There was something dark in the atmosphere. Something vague, creepy, and unsettling. It had that weird energy where you start asking yourself, “Wait... is this actually a horror movie?” But because I had already built a totally different movie in my head, I kept trying to ignore the signs.

The first 15 minutes are especially deceptive because the film still gives you enough space to settle in. You meet the characters, you start adjusting to the setting, and for a brief moment, you think maybe the strange tone is just part of the build-up.

Then around the 26-minute mark, everything changes.

That is when the movie fully reveals itself, and the truth hits hard: this is not a touching story about friendship with a monkey.

This is a movie about a monkey who is absolutely ready to kill people.

And not in a silly, campy way either. I mean, this monkey is treated like a slasher villain. The energy is unhinged. The tension becomes relentless. The film starts moving with the kind of rhythm that feels closer to Scream than a traditional animal movie. It stops being about emotional bonding and starts becoming a survival nightmare.

That’s one of the things I genuinely enjoyed most about Primate: the pacing.

The movie knows when to let the tension simmer and when to throw total chaos at the audience. It gives the monkey this almost psychotic killer presence, like a predator with no mercy, and somehow the film commits to that concept so seriously that it works. You’re not watching a cute creature misunderstood by the world. You’re watching a force of violence tearing through people, and the movie wants you to feel every second of that panic.

And yes, I screamed.

Loudly.

Because the death scenes in this movie are brutal. Not “oh wow, that’s intense,” brutal. I mean messy, graphic, splattery, no-holding-back brutal. Blood everywhere. Bodies destroyed in full view. The film does not soften the violence, and it definitely does not try to make the horror feel pretty. It’s ugly, chaotic, and meant to shock you.

But that’s also why it works.

There’s something refreshing about a horror film that fully understands what kind of experience it wants to deliver. Primate is not trying to be elegant, prestige horror. It is here to disturb you, entertain you, and make you deeply uncomfortable in the best way. And while my expectations were completely wrong, I have to admit that once I adjusted to the film, it actually became a very fun watch.

This is the kind of movie that makes you sit there thinking, “Why am I so stressed out by this monkey right now?” and yet you cannot look away.

That, to me, is the real success of the film.

If you go into Primate expecting a sweet animal story, you may experience the exact same shock I did. But if you’re open to a horror film that plays with your expectations, builds tension effectively, and delivers bloody, unapologetic chaos, there’s a lot to enjoy here.

I ended up having a really good time with it — just not in the way I originally expected.

So no, Primate did not make me love monkeys more.

It made me fear them.

And honestly? I respect that.

Rating

4/5 stars

I’m only taking off one point because my brain was preparing for emotional monkey friendship, while the movie was preparing to traumatize me.

Aam Anusorn Soisa-ngim

Aam Anusorn is an independent filmmaker and storyteller with a decade of experience in the industry. As the founder and CEO of Commetive By Aam, he has directed and produced several acclaimed films and series, including the popular "Till The World Ends" and "#2moons2." Known for his creative vision and determination, Aam prefers crafting original stories that push the boundaries of traditional genres, particularly in the BL and LGBTQ+ spaces. Despite the challenges and pressures of working in a competitive field, Aam’s passion for storytelling drives him to explore new ideas and bring unique narratives to life. His work has garnered recognition and support from prestigious platforms, including the Tokyo Gap Financial Market. Aam continues to inspire audiences with his innovative approach to filmmaking, always staying true to his belief in the power of original, heartfelt stories.

https://Commetivebyaam.com
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